pictures of you...05/01/1989

"I've been looking so long at these Pictures of You
that i almost beleive that they're real
i've Been living so long with my pictures of you
that I almost believe that the pictures are all i can Feel"

from "disintigration", 5/1/1989, track 02

pictures of you
I've been looking so long at these Pictures of You
that i almost beleive that they're real
i've Been living so long with my pictures of you
that I almost believe that the pictures are all i can Feel
Remembering you standing quiet in the rain
asI ran to your heart to be near
and we kissed as The sky fell in holding you close
how i always Held close in your fear
remembering you Running soft through the night
you were bigger And brighter and wider than snow
and Screamed at the make-believe screamed at theSky
and you finally found all your courage to Let it all go
Remembering you fallen into my arms
crying For the death of your heart
you were stone White so delicate lost in the cold
you were Always so lost in the dark
remembering you How you used to be
slow drowned you were Angels so much more than everything
oh hold For the last time then slip away quietly open
open My eyes but i never see anything
If only i had thought of the right words
i could Have hold on to your heart
if only i'd thought of The right words
i wouldn't be breaking apart
all My pictures of you
Looking so long at these pictures of you
but i Never hold on to your heart
looking so long for The words to be true
but always just breaking Apart my pictures of you
There was nothing in the world that i
everWanted more than to feel you deep in my heart
There was nothing in the world that i
everWanted more than to never feel the breaking Apart
all my pictures of you

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bir zamanlar, 1979

1.Nisan.1955, Bursa

fotoğraf: İlhan İrem'in 1974 yılında
Hey Dergisi'nde yayınlanan röportajında kullanılan resmi

1979 - İstanbul Devlet Senfoni Orkestrası'nın da yer aldığı kalabalık müzisyen kadrosu eşliğinde doldurduğu senfonik anlamdaki albüm çalışması: "Sevgiliye". Esin Engin'in aranjörlüğünde hazırlanan albümde ilk kez akademik bir çalışmaya girer ve ilk kez kendisine ait olmayan bir şiiri besteler: Nazım Hikmet-Hoşgeldin. Albümün şarkılarından "Bir Yıldız" ile 1979 Eurovision Türkiye finaline kalan sanatçı, yarışamadan askere alındı.

1986 - Türkiye'ye Eurovision'da o zamana kadar en iyi ikinci dereceyi getiren "Halley" projesini yapıp, sözlerini yazdı, besteci Melih Kibar'a teslim etti. TRT ile olan sorunları yüzünden yurt dışındaki yarışmaya gitmedi. Resim çalışmaları ve Bursa'da ilk sergi.

1989 - "Uçun Kuşlar Uçun" albümü. Kültür Bakanlığı tarafından albümden çıkarılması şartıyla bandrol verilen, halen yayını ve çalınması yasak şarkı "Blues For Molla".

http://tr.wikipedia.org/wiki/%C4%B0lhan_irem

Use your Body as a ...

"Mr. Robin's Grade 6 French Class Make a Human Peace Sign okay,
a bit cheesey and too hippy but nonetheless a few thoughts came to mind: "design
for aerial views" and "the body as typography" (*)
(*)De Geuzen
http://cgi.geuzen.org/swap/archives/cat_the_body_as_billboard.html#000252










BUT THIS ONE IS BETTER....





MARINA ABRAMOVICH ,
Count on us, (Star), 2003-2004

Sweet Sweet Back...

In 1971, Melvin Van Peebles invented a new flim genre with Sweet Sweetback's Baadasssss Song. With the help of the Black Panthers, word of it spread, bringing Hollywood to "the Hood." Van Peebles' son Mario recently released a documentary about the film titled Baadasssss! featuring interviews with Panther chief of staff David Hillard and others. This CD (organized by Hillard and Huey Newton's widow) is a tribute and companion to the documentary, featuring the original title track for the documentary "Getting The Man's Foot Outta Ya Ass," vintage speeches by Panther founder Huey Newton, music by African singer Thomas Mapfumo, new raps and hip hop beats by the Black Panther Fugitives.

Chris Burden

"At 6 p.m. I stood in the doorway of my studio facing the Venice

boardwalk. A few spectators watched as I pushed two live

electric wires into my chest. The wires crossed and exploded,

burning me but saving me from electrocution."

for more details:

http://gladstone.uoregon.edu/~kemmett/ChrisBurden.html

Chris Burden / David Bowie

David Bowie wrote this song about Chris Burden:

Joe The Lion

Joe the lion
Went to the bar A couple of drinks on the house an' he said
"Tell you who you are if you nail me to my car"
Boy
Thanks for hesitating This is the kiss off
Boy
Thanks for hesitating You'll never know the real story
Just a couple of dreams
You get up and sleep
You can buy god it's Monday
Slither down the greasy pipe
So far so good no one saw you
Hobble over any freeway
You will be like your dreams tonight
You get up and sleep
You get up and sleep
Joe the lion
Made of iron
Joe the lion
Went to the bar
A couple of drinks on the house an' he was
A fortune teller he said
"Nail me to my car and I'll tell you who you are"
Joe the lion, yeah yeah
Went to the bar, yeah yeah
A couple of dreams and he was
A fortune teller he said
"Nail me to my car tell you who you are"
You get up and sleep
The wind blows on your check
The day laughs in your face
Guess you'll buy a gun
You'll buy it secondhand
You'll get up and sleep
Joe the lion made of iron (repeat ad inf.)

Gökcen Cabadan

Fatma Sezen Yıldırım

"Sezen Aksu (gerçek adı: Fatma Sezen Yıldırım) (d. 13 Temmuz 1954, Sarayköy, Denizli).
Şarkıcı, besteci, söz yazarı. 3 yaşındayken ailesiyle İzmir'e taşındı.
Müzisyenliğe başlamadan önce 1973 yılında Ege Üniversitesi Ziraat Fakültesine girdiyse de müzik aşkı ağır bastığı için eğitimi bıraktı. İlk 45liğini 1975 yılında Sezen Seley olarak çıkaran Aksu, bu albümün neredeyse hiç satmaması yüzünden hayal kırıklığına uğradıysa da 3. 45liğiyle ünlü oldu ve Olmaz Olsun şarkısıyla müzik listelerinde 1 numaraya çıktı. "

http://tr.wikipedia.org/wiki/Sezen_Aksu

olmaz olsun

"Olmaz olsun cüzdanımda milyonlar Kalbimde sevgin oldukça Zenginlik, mal, mülk, para neye yarar Yanımda sen olmayınca Bazen neşe, bazen keder Hayat böyle geçip gider Tatlı günler, acı günler Bir yastıkta hep beraber Altın, gümüş, pırlanta Zümrüt, sedef, yakutla Kim mutlu olmuş dünyada Bir tek içten gülüş Bir tatlı söz, bir öpüş Sevdalı bir tek bakış yeter bana Altın, gümüş, pırlanta Zümrüt, sedef, yakutla Kim mutlu olmuş dünyada Bir tek içten gülüş Bir tatlı söz, bir öpüş Sevdalı bir tek bakış yeter bana Olmaz olsun tek dikilmiş ağacım Kalbimde sevgin oldukça Neye yarar olsa da altın tacım Yanımda sen olmayınca Bazen neşe, bazen keder Hayat böyle geçip gider Tatlı günler, acı günler Bir yastıkta hep beraber Altın, gümüş, pırlanta Zümrüt, sedef, yakutla Kim mutlu olmuş dünyada Bir tek içten gülüş Bir tatlı söz, bir öpüş Sevdalı bir tek bakış yeter bana Altın, gümüş, pırlanta Zümrüt, sedef, yakutla Kim mutlu olmuş dünyada Bir tek içten gülüş Bir tatlı söz, bir öpüş Sevdalı bir tek bakış yeter bana" S.A.

Runo Lagomarsino:

we have everything, but thats all we have

_ _ _ _ _ _ _ _ _ _

"For me the idea of hope is interesting and at the same time difficult, myworks in different ways “talk” about other ways of reading history orexamples where people have been making resistance (as in the football work)to the official structure. So in that sense I connect hope to criticalityand different forms of resistance." R.L.

Runo Lagomarsino

Strange Fruit (Ceuta)
Single slide projection, metal and paper2006

About the work:

The title of the work is taken from the song Strange Fruit most famouslyperformed by Billie Holiday. The song condemns the racism in United States,particularly the lynching and burning of African Americans that wasprevalent in the South at the time when it was written, in 1937.The movement both in time and geography that the work suggest (to the year2006 in the south of Spain), connects the contemporary development of fencesand borders to the origin of the song. Pointing at a new and at the sametime old form of politics, between the different historical moments.

Participants: Nathalie Grenzhaeuser

Nathalie Grenzhauser, 2003

Lambdaprint, Diasec, 70 x 113 cm

Sebastien Malloberti

Sebastien Malloberti

Participants: Mehmet Dere

Your existence give me *HOPE*

Mehmet Dere,2006

Participants: Jari Silomaki, "Just said hello..."

Jari Silomäki
1975 Born in Parkano, Finland
Lives and works in Helsinki, Finland
www.jarisilomaki.com

Participants: Alice Miceli, "Little White House"

Alice Miceli

Little White House
Video, 37 minutes.
Helsinki, Finland. 2005.
Shot at Chelmno-nad-Nerem, Poland.

description:

The crossing of a significant physical space: way back from the first Nazi extermination camp in Poland

until the entrance to the nearest village, Chelmno-nad-Nerem.

As in a frontier, it is merely a short physical distance between two points in a space,

but meanings and qualities totally change from one to the other.

Remember...Resistance

48 kez Batı Almanya formasını giyen, 1974 ve 1982 dünya kupalarında oynayan futbolcu.1983 yılına kadar kariyerine devam etmiş ve 32 yaşındayken futbolu bırakmıştır.

Arjantin 1978 dünya kupasında ülkedeki faşist cunta yönetimini protesto etmiş ve bu kupada futbol oynamayacağını belirtmiştir.

"Binlerce insanın katledildiği stadyumlarda top oynamam."

Remember...Resistance

PAUL BREITNER
Date of Birth :05 / 09 / 1951
Place of Birth:Freilassung
Position: Midfielder

Remember...Socrates

NOME: Sócrates Brasileiro Sampaio de Souza Vieira de Oliveira

NASCIMENTO: Belém (PA), em 19/02/1954

POSIÇÂO: Ponta-de-lança

CLUBES: Botafogo-SP (1974/78), Corinthians (1978/84), Fiorentina-ITA (1984/85), Flamengo (1985/86), Santos (1988/89) e Botafogo-SP (1989)

remember...

Socrates , Falcao, Zico, 1982

remember...sometimes, the best passionate team should be lost

1982

Em pé: Valdir Perez. Leandro. Oscar. Falcão. Luizinho e Junior.

Agaachados: Nocaute jack. Socrates. Toninho Cerezo. Serginho. Zico e Eder.

Futbol tarihinin kaybettiği için en çok üzülünen Onbiri. Kaybeden bir rüya takım.

remember...

Guy Fawkes night at Exeter Cathedral

Even in the mid 19th century Protestant feeling and local pride combined in an annual Guy Fawkes night each November 5th. A huge fire was made just outside the Cathedral’s West Front, and the Cathedral Close was packed with spectators. This engraving is reproduced from a painting by F.F. White showing the occasion; smoke billows from the bonfire. Writing in the years after 1900, Edith Prideaux recalled that the West Front of the Cathedral was too hot to touch when the fire raged, and that on mornings following bonfire night the cathedral authorities swept up fragments of medieval stonework which had broken from the fabric. Despite all the dangers to life and property, the custom seems to have continued into the 1860s or 1870s.

5.11

"Hatırla, 5 Kasım'ı hatırla!
Barut ihanetini ve komplosunu
Hiç bir neden bilmiyorum ki gerektirsin
Barut komplosunun unutulmasını"

Remember, remember the fifth of November,
The gunpowder, treason and plot,
I see of no reason why gunpowder treason
Should ever be forgot.


The phrase "Remember, remember, the fifth of November" is referenced. This is the first line of a nursery rhyme detailing the exploits of Guy Fawkes.

Akrabaliklar: Relationships

Douglas Gordon,

Sergi icin akrabaliklar: relationships for exhibition

Ola Pehrson,

"Fear can hold you prisoner, hope can set you free."

(*) the shawshank redemption

Hope is a good thing / Umut güzel şey

Global yapıt okuma sistemlerine endeksli bir üretim içine sıkışmış sanatçı modeli/modellemesinin dışında seyreden sanatçılarla “übermensch/süperkahraman/ didaktik/şaşkınlık yaratıcı sanatçı” beklentilerini ters-yüz etmek. Sanatçının insan-birey olarak mevcudiyetini, öncesinden prospektüsleri çıkarılmamış yapıtlarıyla, yeniden okumak-yorumlamak ya da önyargısızca yoruma açmak.

Bütün bunların ışığında sergi, sanatçının karma uzamlar içinde yinelenmesi ve tek bir yapıta ya da tek tek uzamlara hapseldilmesine karşı bir duruşu mümkün kılma hedefiyle ortaya çıkıyor. Umut kavramını bu bağlamda gündeme getiren sergi, sanatçıların devam etme dirençlerini, izleyiciye odaklamalarını sağlayacak bir alan açma umudundan hareket ediyor.

Buradaki asıl amaç, serginin açacağı bu alan ile, yapıt üzerindeki alışılmış kuramsal tanımlanabilirliği kesintiye uğratmak. Bunu da izleyiciyi her türlü bağıntıdan soyutlanmış tek bir yapıta yöneltmeden yapmak. Günümüzde biraz olsun geri plana itilmiş birey olarak sanatçı halini tekrar hatırlatmak ve izleyiciyi “sanatçının ve yapıtlarının” deplasmanına çağırmak.

Aslı Çavuşoğlu – Borga Kantürk

Hope is a good thing / Umut güzel şey

Our goal is to interchange the “übermensch/ superhero/ didactic/ awesome artist” expectations with artists, whose dwell beyond the boundaries of an artist notion squeezed in between a manufacture process totally depended to global artwork evaluation systems. Our aim is to re-read/interpret the existence of the artist as a human- person with manual free art pieces, or to represent them for alternative interpretations.

Under the illumination of these factors, exhibition stands fort as the possibility of facing against repetition of the artist in the hybrid spaces and her imprisonment in only one piece of art or the other plurality of spaces. By these means, exhibition, which put the concept of “hope” under the spotlights, gains its momentum with the prospect to open a new range to focus for the spectators.

The core purpose in here is, by using the range opened trough this exhibition, to interrupt usual theoretical/ academic/doctrinaire identification on work of art; accomplishing this without directing the viewer to only one piece, which is isolated from every other connections. Our goal is to make us reconsider the “artists’ condition” and call the spectator in to homeland of artist and his/her creations.

Asli Cavusoglu – Borga Kanturk – 2006

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1_"Illusion is the first of all pleasures."
2_"Consistency is the last refuge of the unimaginative."

Oscar Wilde

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"Sabırlı bir adamın öfkesinden sakınınız."

La Rochefoucauld

Hope

"Hope is the worst of evils, for it prolongs the torments of man."

F. W. Nietzsche